Tuck Everlasting
Written by: Chris Miller, Nathan Tysen, Claudia Sheer, and Tim Federle
Directed by: Shadoe Valentin
Performance Dates
- May 14–24, 2026
- Thursday, Friday, and Saturday – 7:30 pm
- Sunday matinee – 2:30 pm
Audition Dates
- Monday, March 9, 6:00 pm
- Tuesday, March 10, 6:00 pm
Audition Location
- Martin Hall–University of Mobile, 5735 College Parkway Mobile AL 36613
- Park behind the building and follow the posted signage to the audition space.
- Plan to arrive a few minutes early to allow time to check in at the guard house when you enter campus and complete an audition form before auditions begin.
Audition Information
- Prepare a 1-minute cut of a song in the style of the show (not from Tuck Everlasting). An accompanist will be provided. Please bring clearly marked sheet music in the correct key. If you prefer to use an accompaniment track, you must provide your own Bluetooth speaker.
- You may be asked to read from the script as part of the audition.
- Auditionees will learn a brief dance combination. Please wear comfortable clothing and appropriate footwear that allows you to move safely and confidently.
- Please print and bring your completed audition form with you. Copies are available in the audition packet (click the button to the left). They will also be available at auditions if needed.
- You are welcome to bring a resume and headshot, though they are not required.
- The first read-through and rehearsals will begin the week of March 23.
- Rehearsals will typically be held on Monday, Tuesday, Thursday, and Friday or Saturday, depending on scheduling needs in a 3-hour time block. Rehearsals will be planned in advance based on scenes, musical numbers, and cast availability.
- Tech week begins on Sunday evening, May 10.
About the Show
Act 1 Synopsis
In the quiet town of Treegap, New Hampshire, young Winnie Foster longs for something more than her carefully protected life at home. Curious and restless, she dreams of adventure and the chance to make her own choices.
When Winnie ventures into the nearby woods, she meets the Tuck family, a kind but mysterious group who live apart from the rest of the town. Their presence challenges everything Winnie thought she knew about the world, and she begins to experience a sense of freedom and belonging she has never felt before. As her bond with Jesse Tuck grows, Winnie is introduced to new possibilities—and new questions about time, change, and what it means to truly live.
Meanwhile, a stranger known as the Man in the Yellow Suit arrives in Treegap, drawn by his own interest in the woods and the Tucks. As he begins to follow their movements, his intentions create a growing sense of unease. By the end of Act 1, Winnie finds herself standing at the edge of a choice that could shape her future in ways she never imagined.
Act 2 Synopsis
As Winnie spends more time with the Tucks, she begins to understand both the beauty and the weight of the life they lead. What once felt like adventure now carries deeper emotional meaning, and Winnie must consider what matters most to her and what kind of future she truly wants.
At the same time, the Man in the Yellow Suit moves closer to uncovering what he has been searching for. His actions bring tension and danger, forcing Winnie and the Tucks to confront the consequences of the choices before them.
As events unfold, Winnie is faced with a decision that will define her path forward. Through courage, reflection, and love, she begins to discover her own voice and sense of purpose.
Character Descriptions
Winnie Foster
Female, to play age 11
Vocal Range: A3–E5
Curious, thoughtful, and quietly brave. Winnie longs for something more than the small world she knows and begins to discover her own independence. Must be a strong singer and expressive actor with emotional depth and good comic instincts. This role requires strong stage presence.
Jesse Tuck
Male, to play age 17
Vocal Range: Bb2–A4
Energetic, charming, and full of youthful optimism. Jesse brings light and joy to those around him, while carrying an underlying sense of loneliness. Pop tenor. Must be a strong singer with warmth, charisma, and emotional honesty.
Miles Tuck
Male, early to mid 20s
Vocal Range: Bb2–F#4
Thoughtful and reserved, Miles carries the weight of past loss. Beneath his guarded exterior is a deeply caring and sensitive soul. Baritenor. Must be a strong singer and capable of emotional nuance.
Mae Tuck
Female, 40s
Vocal Range: G3–D5
Warm, grounded, and full of heart. Mae is a devoted mother with a wonderful sense of humor and quiet strength. She balances wisdom with playfulness and deep compassion.
Angus Tuck
Male, 40s
Vocal Range: A2–E4
Gentle, reflective, and deeply connected to the world around him. Angus is a loving father and husband with a profound understanding of life’s meaning. A calm and steady presence.
Man in the Yellow Suit
Male, 50s–60s
Vocal Range: C3–F4
Mysterious, persuasive, and unsettling. A calculating outsider driven by ambition and curiosity. Must be a strong singer and actor with the ability to create tension and intrigue.
Hugo
Male, early to mid teens
Vocal Range: B2–G4
Awkward, observant, and sincere. Hugo may appear shy or unsure, but he sees more than others realize. Must be a strong singer with good comic timing and emotional sensitivity.
Constable Joe
Male, 50s–60s
Vocal Range: Spoken / Optional Singing
Kind, perceptive, and quietly intelligent. Though he may appear simple on the surface, he understands people deeply and serves as a steady presence in the community.
Mother (Betsy Foster)
Female, 30s
Vocal Range: A3–C5
Protective, loving, and shaped by grief and responsibility. She wants to keep her family safe but must learn to trust and let go.
Nana
Female, 60s+
Vocal Range: A3–C5
Eccentric, loving, and spirited. Nana brings warmth, humor, and heart to the Foster household.
Featured Dancers
Strong movers who help bring the world of Treegap to life through stylized movement and storytelling.
Ensemble
Town members, fair performers, musicians, and members of the Treegap community. Ensemble members play a vital role in creating the world of the story and may also understudy principal roles.